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I am a Canadian-born citizen of the Métis Nation of British Columbia. I am Curator, Architecture and Digital Initiatives at the Guggenheim Museum where I organized the museum’s first ever online exhibition, Åzone Futures Market (2015), and co-organized Architecture Effects in Bilbao (2018-2019) and Countryside, The Future (2020) with Rem Koolhaas, Samir Bantal, AMO and others. I am an Adjunct Professor of Architecture at the Columbia University Graduate School of Architecture, Planning and Preservation and a co-tutor with Violette Van Parys in the Architectural Association Summer School where I teach seminars and studios on architecture, deep history, magic, and animism.
I have been a creative technologist for Bruce Mau Design; a trend forecaster for Audi; an architectural designer in Paris, New York, and London; a computational mathematics researcher at a Human Computer Interaction Lab; an editor of the Advanced Research Practices in Architecture Journal; a co-founder of the Architecture Online Lab, director of The Energy Issue initiative, and co-curator the Experiments in Motion initiative at Columbia; and was co-founder of Therrien–Barley (now Consortia), an innovation and design agency servicing Fortune 500 design and technology companies. I received an MA in Architecture History and Theory from the Architectural Association in London, an MArch from Columbia University (American Institute of Architects Medal), and a BASc in Computer Engineering from the University of British Columbia.
Junktime
“If ‘Junkspace is what remains after modernization has run its course,’ then Junktime is the mess digitization has made of temporality.”
—After Belonging:Objects, Spaces, and Territories of the Ways We Stay in Transit, November 2016
“The Platonic system articulated how Promethean ‘Big Men’ could go about denting the universe, waging wars and building cities by channeling their will through architectural middle management, which would calcify the volatile gift of invention into regular victories and stable institutions. I call it the Promethean Gift Economy (PGE). It is a cipher for decoding [Venkatesh] Rao’s relevance to architecture.”
—,
“Social Soup”
“Social soup is the bio-cultural-environmental complex of opinions, beliefs, desires, truths, values, myths, grudges, inventions, histories, conspiracies, rumors, plans, protocols, archetypes, dwellings, art, jokes, taboos, and other complex vectors of life woven through our mysterious emotional organic wetware. This mesh is our habitat. We don’t dwell in nature; we live amongst each other.”
—Ed, forthcoming
“Social soup is the bio-cultural-environmental complex of opinions, beliefs, desires, truths, values, myths, grudges, inventions, histories, conspiracies, rumors, plans, protocols, archetypes, dwellings, art, jokes, taboos, and other complex vectors of life woven through our mysterious emotional organic wetware. This mesh is our habitat. We don’t dwell in nature; we live amongst each other.”
"I will never be able to live in peace with the automaton, because I was formatted in the old world.
—Bifo Berardi